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Photos of New Ram Temple

New Ram Temple Ayodhya

The Ayodhya Ram Temple, one of the largest temples built in India post-independence, combines modern technological conveniences with ancient Indian traditions. The temple is designed in the Nagara style by chief architect Chandrakant Bhai Sompura, following Vastu Shastra principles. The entrance on the east is in the Gopuram style, reminiscent of southern temples. The walls depict artworks showcasing the life of Lord Ram. Here we give details of Ayodhya Ram Mandir Location, Area, Structure, Height, Photo.

The Consecration Ceremony of Ayodhya Ram Mandir

The Ayodhya Ram Mandir will witness the Pran Pratishtha ceremony on 22nd January 2024. Prime Minister Narendra Modi is set to conduct the ritual, adhering to prescribed customs. The ceremony, starting at 12:20 p.m., is anticipated to conclude by 1 p.m., marking a significant moment in the temple’s consecration.

Ayodhya Ram Mandir Location

The Ayodhya Ram Mandir Location is situated in Ayodhya, Uttar Pradesh, on the 2.77 acres of disputed land accepted by the Supreme Court as the birthplace of Lord Ram. The Ayodhya Airport provides convenient air travel, and the city is well-connected by road and rail.

Ram Mandir of Ayodhya Area

The Ayodhya Ram Mandir, sprawling over an expansive 54,700 square feet, encompasses nearly 2.7 acres. Within the extensive Ram Mandir Complex, which extends across almost 70 acres, the meticulously designed space is capable of accommodating approximately a million devotees simultaneously. This grand and well-planned complex ensures a tranquil and spiritually enriching experience for visitors and worshippers alike.

Ayodhya Ram Mandir Height

The temple is an impressive 360 ft long, 235 ft wide, and 161 ft high. It stands three times the height of existing structures in the old city. The structure includes five domes and a tower with a Garbh Griha (sanctum) built to allow sunlight to fall on the idol of Ram Lalla.

In 2020  Bhumi Poojan and lays the foundation stone

In 2023 The consecration ceremony of the Ayodhya Ram Temple is scheduled for January 22 2024  set to address the event.

Construction Details of Ram Mandir of Ayodhya

Builders: Larsen & Toubro for the main structure, Tata Consultancy Engineers Ltd for allied facilities.

Building Material: Carved Rajasthan Bansi Paharpur stone, known for beauty and strength.

Interior: Designed by Chandrakant Bhai Sompura, the temple features an octagonal-shaped sanctum and a circular structure perimeter.

Ayodhya Ram Mandir Lifespan

Built to last over 1,000 years, the temple materials and designs undergo rigorous testing, including stability tests by IIT Chennai and Central Research Building Institute.

Over 50,000 people visit the temple daily, with expectations to reach 100,000 after the inauguration.

Impact on Real Estate

The construction has significantly impacted real estate in Ayodhya, with land rates rising up to 10 times in the past decade. Big developers have shown interest, bringing land rates comparable to the state capital, Lucknow.

Ayodhya Ram Mandir Photo

Ram Lala of Ayodhya Image

Amidst a special puja, the idol of Ramlala was reverently placed in the temple’s sanctum sanctorum on Wednesday night, stirring joy among netizens who marveled at the magnificent images circulating online.

Ramlala’s face, covered by a yellow cloth, to be unveiled during the Pran Pratishtha ceremony on January 22. Crafted by Arun Yogiraj of Mysore, the 51-inch tall idol, sculpted from black stone, portrays Lord Ram as a 5-year-old standing on a lotus.

The Ayodhya Ram Mandir is an impressive 360 ft long, 235 ft wide, and 161 ft high. It stands three times the height of existing structures in the old city.

The temple complex covers nearly 2.7 acres of land, spanning 54,700 sq ft. The entire Ram Mandir Complex, spanning nearly 70 acres, is equipped to host about a million devotees at any given time.

Ayodhya Ram Mandir: Building material

The foundation of the temple is constructed with a 14-metre- thick layer of roller-compacted concrete (RCC), giving it the appearance of artificial rock. No iron is used anywhere in the construction. For protection against ground moisture, a 21-foot-high plinth has been constructed with granite.

The core of the temple is built using pristine white Rajasthan Makrana marble. Karnataka’s Charmouthi sandstone has been used to carve out the exquisite idols of the deities. On the other hand, pink sandstone from Rajasthan’s Bansi Paharpur has been used in entrance gate’s imposing figures. Black stone used for Lord Ram’s idol originates from Karnataka. From the Himalayan foothills, Arunachal Pradesh and Tripura have offered intricately carved wooden doors and handcrafted fabrics, standing as gateways to the divine realm. Brassware hails from Uttar Pradesh, while polished teakwood has been sourced from Maharashtra.

Built using India’s traditional and indigenous technology, the temple complex has a sewage treatment plant, water treatment plant, water supply for fire safety and an independent power station.

Bansi Paharpur sandstone

The superstructure of the Ram Mandir will be made of carved Rajasthan Bansi Paharpur stone, the rare pink marble stones, world-renowned for its beauty and strength. It will require a total of 4 lakh sq ft of stone.

The Bansi Paharpur Sandstone is found in the Bayana Tehsil of Bharatpur District in Rajasthan and it is available in hues of pink and red. The centre, in 2021, gave an in-principal approval to convert 398 hectares of protected forest land into revenue land to allow the mining of the pink sandstone in the vicinity of the Band Baretha Wildlife Sanctuary in Bharatpur, reversing the ban on mining put in place in 2016.

The Bansi Pahadpur Sandstone has been used in various grand structures of the country, including the Akshardham Temple, the Parliament Complex and the Lal Quila of Agra. Steel or bricks would not be used in the construction of the Ram Mandir.

Makrana marble

Marble from Makrana in Rajasthan Makrana is a metamorphic rock found in a single deposit in India. It has a range of about 90–98% calcium carbonate. It is found only in Makrana. Characterised by its bright white color with intricate grey or black veining, this marble is world-renowned for its exceptional purity and aesthetic appeal. It is Asia’s first Global Heritage Stone Resource (GHSR), according the International Union of Geological Sciences (IUGS). The Makrana marble is the first stone resource from India and Asia to get the GHSR status in July 2019. The spectacular marble has been used to build forts, palaces and archaeologically significant buildings in India and abroad. Some of the iconic buildings constructed using the Makrana Marble include the Taj Mahal, the Victoria Memorial in Kolkata, the interiors of Red Fort of Delhi as well Agra, etc.

Ayodhya Ram Mandir: Builders

While Larsen & Toubro are responsible for building the main structure, Tata Consultancy Engineers Ltd would develop the allied facilities.

Ayodhya Ram Mandir: Interior

Specifications

The upcoming temple is 380-foot long, 235-foot wide and 161-foot high. In height, the temple will three times the height of existing structure n the old city.

Style

The temple is designed by chief architect, Chandrakant Bhai Sompura, whose grandfather, Prabhakarji Sompura, had designed the Somnath Temple, along with his son, Ashish Sompura. The 79-year-old architect was appointed in 1992. Sompura mentioned that the Ram Mandir is being built in the Nagara style, following the principles of Vastu Shastra. The entrance on the east would be built in the Gopuram style, which represents the temples of the south. The walls of the temple would display artworks depicting the life of Lord Ram.

Shape

The sanctorum of the mandir would be octagonal-shaped while the structure perimeter would be circular.

Floors

The mandir will have five domes and one tower with a height of 161 ft. The 3-floor temple will have a centre – Garbh Griha – built to allow sun rays to fall on the idol of Ram Lalla, the infant embodiment of the Lord. Like the sanctorum, the Griha Mandap would be fully covered, while the Keertan Mandap, the Nritya Mandap, the Rang Mandap and the two Prarthana Mandaps on each side would be open areas.

The idol is adorned with a crescent-shaped necklace, studded with gems. It features floral designs symbolising good fortune, with an image of Surya Dev at the centre.

 

Kaustubh Mani

The heart of the idol is adorned with Kaustubh Mani, decorated with large ruby and diamonds. According to the spiritual tradition, Lord Vishnu and all his avatars wear the Kaustubh Mani on their heart.

Padika

This is a five-layered necklace, made of diamonds and emeralds, fearing an ornate pendant.

Vijayamala

This is the longest necklace the Lord is wearing. The gold necklace studded with rubies has symbols of Vaishnava tradition, the Sudarshana chakra, a lotus, a shankh and the mangal kalash.

Kanchi/Kardhani

Adorning the waist of the Lord is the gold Kardhani (waistband), studded with diamonds, rubies, pearls and emeralds. It also features small bells.

Bajuband

The arms are adorned with gold armlets, featuring precious stones.

Kangan

The gold bangles are also gem studded.

Mudrika

The rings on the fingers are also studded with gems and dangling pearls.

Gold bow in left hand

In his left hand, the 5-year-old Ram idol holds a bow made of gold and studded with pearl, rubies and emerald. 

Paijaniya

Gem-studded anklets and toe rings adorn the feet and toenails of the Lord.

Golden umbrella

A resplendent umbrella is set over the Lord’s halo.

Toys for Ram Lalla

Toys made of silver have been kept close to the idol. These toys include a rattle, an elephant, a horse, a camel, a toy cart, and a spinning top.

 

The temple bell and Nagada

Gujarat has gifted a majestic 2,100-kg Ashtadhatu bell. Alongside, Gujarat also presents a 700-kg chariot carrying a special nagada crafted by the All India Darbar Samaj.

Doors and window

To build the windows and doors, Teak wood (Sagwan) has been procured from Maharashtra’s Chandrapur. Not an ordinary wood, Teak has a life span of over 100 years.

History of Ayodhya

History of Ayodhya

In traditional history, Ayodhya was the early capital of the kingdom of Kosala, though in Buddhist times (6th–5th century BCE) Shravasti became the kingdom’s chief city. Scholars generally agree that Ayodhya is identical with the town of Saketa, where the Buddha is said to have resided for a time. Its later importance as a Buddhist center can be gauged from the statement of the Chinese Buddhist monk Faxian in the 5th century CE that there were 100 monasteries there (although he cited 100, Faxian probably did not mean that exact number, just that there were many monasteries). There were also a number of other monuments, including a stupa (shrine) reputed to have been founded by the Mauryan emperor Ashoka (3rd century BCE).

The Kanauj kingdom arose in Ayodhya, then called Oudh, during the 11th and 12th centuries CE. The region was later included in the Delhi sultanate, the Jaunpur kingdom, and, in the 16th century, the Mughal Empire. Oudh gained a measure of independence early in the 18th century but became subordinate to the British East India Company in 1764. In 1856 it was annexed by the British, and the annexation and subsequent loss of rights by the hereditary land revenue receivers provided one of the causes of the Indian Mutiny in 1857. Oudh was joined with the Agra Presidency in 1877 to form the North-Western Provinces and later the United Provinces of Agra and Oudh, now Uttar Pradesh state.

Ayodhya

Ayodhya is a city situated on the banks of the sarayu river in the indian states of Uttar Pradesh. It is the administrative headquarters of the Ayodhya District as well as the Ayodhya division of Uttar Pradesh, India.

Ayodhya was historically known as Saketa.  Ayodhya is a city situated on the banks of holy river Saryu. In the Indian state of Uttar Pradesh, It is the headquarter of Ayodhya District and Ayodhya division. Ayodhya, also known as Saket, is an ancient city of India, is the birthplace of Bhagwan Shri Ram and setting of the great epic Ramayana. Ayodhya used to be the capital of the ancient Kosala Kingdom. It has an average elevation of 93 meters (305 feet). Owing to the belief as the birthplace of Bhagwan Shri Ram, Ayodhya (Awadhpuri) has been regarded as first one of the seven most important pilgrimage sites (Mokshdayini Sapt Puris) for Hindus. How to Reach AIR By Air : Several airlines are operating from Major cities to Mahirishi Valmiki International Airport Ayodhya which is approximately 10km from Ayodhya Dham . People can also reach from Lucknow ,Gorakhpur, Prayagraj and Varanasi Airports. TRAIN By Train : Ayodhya Cantt and Ayodhya are major railway stations of the district and are well connected to almost all major cities and towns. By Rail route Ayodhya is 128 kms. from Lucknow, 171 kms. from Gorakhpur, 157 kms. from Prayagraj and 196 kms from Varanasi. ROAD By Road : Services of Uttar Pradesh Transport Corporation buses are available 24 hours a day, and it is very easy to reach here from all places. The city is about 130 k.m. from Lucknow, 200 k.m. from Varanasi, 160 k.m. from Prayagraj , 140 k.m. from Gorakhpur and about 636 k.m. from Delhi. Buses are frequently available from Lucknow,Delhi and Gorakhpur. Buses are also available from Varanasi, Prayagraj and other places as per their schedule. Places of Interest Being the birthplace of Sri Rama and Historical place of Indian history several religious and historical places are worth visting in Ayodhya. Some of them are listed below :- Ram Ki paidi Jain Temple Birla Temple Gulab Bari Bahu Begum ka Maqbara Kanak Bhawan Naya Ghat Guptar Ghat Military Temple Culture & Heritage Cultural heritage of the district originates in the past from the kingdom of Suryavanshis. In the lineage of Suryavanshi Kshatriyas, King Raghu was a glittering character after whom the Suryavansh became popular as Raghuvansh. In the third generation of king Raghu birth of Shri Rama took place, whose image is still alive in the heart of all Hindus as God. The period of the Ramayana was, perhaps the most glorious period in the history of ancient India. For not only did this age mark the composition of the holiest scriptures, the Vedas, and other sacred literature that laid the foundation of Indian culture and civilization, but the era was also exemplary in its rule of law and truthfulness. The regent was answerable to his subjects in matters involving the prestige of the state and society. The veracity of the facts lies in the undiminished reverence for the epic even after more than three millennia. Lord Ram was the ‘Adarsh Purush’ of the Ramayana – an ideal in every fact of human behavior. His fourteen year of exile impressed the human mind more vitally than other period of his life. Because he had roved the wilderness, giving up his just heritage, merely to preserve the honor of his father’s word. Apart from this Ayodhya had a special place in Indian history as well. So from religious and historical point of view Ayodhya also enjoys eminent place.

The Hawa Mahal Jaipur

The Hawa Mahal is a palace in the city of Jaipur, India. Built from red and pink sandstone, it is on the edge of the City Palace, Jaipur, and extends to the Zenana, or women's chambers.

The structure was built in 1799 by the Maharaja Sawai Pratap Singh, grandson of Maharaja Sawai Jai Singh, the founder of the city of Jhunjhunu in the state of Rajasthan.

He was so inspired by the unique structure of Khetri Mahal that he built this grand and historical palace.

It was designed by Lal Chand Ustad. Its five-floor exterior is akin to a honeycomb with its 953 small windows called Jharokhas decorated with intricate latticework.

The original intent of the lattice design was to allow royal ladies to observe everyday life and festivals celebrated in the street below without being seen. This architectural feature also allowed cool air from the Venturi effect to pass through, thus making the whole area more pleasant during the high temperatures in summer.

Many people see the Hawa Mahal from the street view and think it is the front of the palace, but it is the back.

This palace is a five-story pyramidal shaped monument that rises to about 50 feet (15 m). The top three floors of the structure have the width of a single room, while the first and second floors have patios in front of them. The front elevation, as seen from the street, is like a honeycomb with small portholes. Each porthole has miniature windows and carved sandstone grills, finials and domes. It gives the appearance of a mass of semi-octagonal bays, giving the monument its unique façade. The inner face on the back side of the building consists of chambers built with pillars and corridors with minimal ornamentation, and reach up to the top floor. The interior of the palace has been described as "having rooms of different coloured marbles, relieved by inlaid panels or gilding; while fountains adorn the centre of the courtyard

The entry to the Hawa Mahal from the city palace side is through an imperial door. It opens into a large courtyard, which has double-storeyed buildings on three sides, with the Hawa Mahal enclosing it on the east side. An archaeological museum is also housed in this courtyard.

Hawa Mahal was also known as the chef-d'œuvre of Maharaja Jai Singh as it was his favourite resort because of the elegance and built-in interior of the Mahal. The cooling effect in the chambers, provided by the breeze passing through the small windows of the façade, was enhanced by the fountains provided at the centre of each of the chambers.

The top two floors of the Hawa Mahal are accessed only through ramps. The Mahal is maintained by the archaeological department of the Government of Rajasthan.

The posterior of the famous façade from inside of the Hawa Mahal.

Rear view with the two most ornate top stories

Coloured glasswork. When the sunlight enters, the entire chamber fills with the spectrum of various colours.

Top eastern side on a stormy afternoon.

Fountain inside Hawa Mahal.

Birla Temple

BIRLA TEMPLE 

MODERN MARBLE MARVEL – A TRUE WORK OF ART

The Lakshmi-Narayan Temple, or the Birla Temple, as it is more popularly known as, is located at the base of Moti Dungari. Built on an elevated platform, this comparatively modern temple is built entirely of white marble and dominates the skyline of south Jaipur. The temple was commissioned and built by renowned Indian industrialists, the Birlas, in 1988. The temple is dedicated to Lord Vishnu, also called Narayan, and his companion, Lakshmi, the Goddess of wealth and good fortune. The temple is a work of art and has a marvellous display of exquisite carvings and sculptures covering many mythological themes. The eye is drawn to the images of Laxmi and Narayan, carved as they are, from one piece of marble. The top of the temple has three domes, each representing the three religions followed in India. This is designed to pay homage to secular India. The temple looks spectacular at night when it is lit up. Other than the main temple, the complex has a museum that exhibits the earlier belongings of the Birla family.

The temple is located in the middle of the city, making it easy to access. One can hop onto a local bus, or take any of the auto-rickshaws and taxis plying within Jaipur city Rajasthan.